Today we talk with Joseph Pierce and Liza Black about the vast number of questions that are opened up when people pretend to be Native when they in fact are not. These cases take on a specific significance when such false identifications allow these people access to privilege and positions of authority. When these falsehoods are found out, they place scholars and activists who have allied themselves with these people in extremely difficult positions, and unfortunately make institutions like colleges and universities the final arbiters of how “justice” is to be served. Finally, these cases put even more pressure on Native peoples to imagine and practice inventing identities that are both rooted and at the same time open to a broader set of possibilities.
Liza Black is a citizen of Cherokee Nation. Recently on fellowship at UCLA, Black is currently completing her book manuscript: How to Get Away with Murder: A Transnational History of Missing and Murdered Indigenous Women, contracted with Johns Hopkins University Press for an anticipated publication date of 2026. How to Get Away with Murder provides six case studies of women, girls, and two spirits disappeared or murdered over the course of the 20th century. Black is an Associate Professor of History and Native American and Indigenous Studies. In 2020, Black published Picturing Indians: Native Americans in Film, a deeply archival book making the argument that mid-century Native people navigated the complexities of inhabiting filmic representations of themselves as a means of survivance. Black has received several research grants including the Ford pre-, doc and post-doc fellowships; the Institute of American Cultures at UCLA fellowship; and the Cherokee Nation Higher Education Grant.
Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.
