Starting in the autumn of 2025, the US began attacking small civilian boats in or near Venezuelan waters, summarily executing over 126 people. January, 2026 began with it kidnapping Venezuelan president Nicolás Maduro and his wife, and bringing them to the US. This month, just weeks after the kidnapping, Haymarket Books published the immensely useful and urgent book, Venezuela in Crisis. The historical range of the book begins with the regime of Hugo Chavez and ends with the 2024 elections in Venezuela.

We are immensely fortunate to be able to speak with the editor and translator of this collection of essays, Anderson Bean, and two of its contributors, Emiliano Terán and Simón Rodríguez.  The key argument of the book is that, even by his own admission, Chavez was not able to completely transform Venezuela into a socialist state. The book explains the roots of this failure, despite the inspiring successes of Chavismo. It then tracks an ever-increasing neoliberal and oppressive trend carried forward by Maduro, which is characterized by burgeoning extractivism, corruption, and suppression of human rights.  We end by calling on socialists and progressives everywhere to resist the tendency to side with Maduro’s false claims to socialism, and to focus instead on building solidarity with the people of Venezuela.

Anderson Bean is a sociology professor at North Carolina A&T State University, a member of the Tempest Collective, and a North Carolina–based activist and editor. He is a contributor to Venezuela in Crisis: Socialist Perspectives (Haymarket Books) and the author of Communes and the Venezuelan State: The Struggle for Participatory Democracy in a Time of Crisis (Lexington Books).

Simón Rodríguez is a Venezuelan socialist writer and journalist. He was a student organizer and later became professor at the Universidad de los Andes. When he was a member of the national leadership of the Socialism and Freedom Party, he ran as a candidate for the National Assembly in 2015. He is a founding member of Laclase.info and Venezuelanvoices.org and has published articles in Humania del Sur, NACLA Report on the Americas, The New Arab, and Rebelión and on dozens of electronic outlets, and his articles have been translated into six languages. He has given talks and lectures in Argentina, Brazil, Cuba, and the Dominican Republic. He is coauthor with Miguel Sorans of the book Why Did Chavismo Fail? A Left-Opposition Balance Sheet.

Emiliano Terán is a sociologist from the Central University of Venezuela and has a master’s degree in ecological economics from the Autonomous University of Barcelona. He is a PhD candidate in environmental science and technology at the same institution. He is also an associate researcher at the Center for Development Studies in Venezuela and a member of the Observatory of Political Ecology of Venezuela

Today I am deeply honored to speak with novelist, essayist, and scholar Yuri Herrera about his new novel, Season of the Swamp, which is a deeply researched and dazzlingly imagined account of Benito Juarez’s time spent in exile in New Orleans.  We talk about what that time and place offered to Juarez’s understanding of a world coming into being—one of créolité and carnival, of mixedness and multiplicity, and what these sometimes hallucinatory moments offered his political vision.  We talk about what kinds of new visions of freedom are discovered in the midst of forms of slavery that horrify Juarez.  Very importantly, we relate all of this to the present day—to the genocide in Gaza, the violent ICE attacks in the United States, and the descent into unbridled, and unmasked fascism. We are especially grateful to Yuri for reading from his novel, and talking in depth about the importance of mixed languages and the new social worlds they reflect.

Bio

Yuri Herrera (Actopan, México, 1970). His first three novels have been translated into several languages: Kingdom Cons, Signs Preceding the End of the World, and Transmigration of Bodies. In 2016 he shared with translator Lisa Dillman the Best translated Book Award for the translation of Signs Preceding the End of the World. That same year he received the Anna Seghers Prize at the Academy of Arts of Berlin, for the body of his work. His latest books are A Silent Fury: The El Bordo Mine Fire, Ten Planets, and Season of the Swamp. He is a professor of creative writing and literature at Tulane University, in New Orleans.

Today I am happy to speak with Ananya Roy and Veronika Zablotsky about their co-edited volume, Beyond Sanctuary: The Humanism of a World in Motion, which was based on a Sawyer Seminar they convened at UCLA. The essays collected in this book are international in scope and interdisciplinary in nature. What links them is a commitment to show that the idea of sanctuary all too often forgets its radical histories and possibilities, and lapses into a liberal humanism that not only does not solve the problems of refugees, migrants, and exiles, but even form obstacles to real and just solutions. Importantly, the many of the essays put the idea of “humanism” into question.  Most impressively, we find case histories of ordinary people building sanctuary spaces organically well outside, and even in defiance of, liberal sanctuary structures and practices.

The book is accompanied by digital materials on the Sanctuary Spaces website which are designed for classroom use and self-study: https://challengeinequality.luskin.ucla.edu/sanctuary-spaces/

Ananya Roy is Professor of Urban Planning, Social Welfare, and Geography and the Meyer and Renee Luskin Chair in Inequality and Democracy at the University of California, Los Angeles. She is the founding Faculty Director of the UCLA Luskin Institute on Inequality and Democracy at UCLA, which advances research and scholarship concerned with displacement and dispossession in Los Angeles and elsewhere in the world. Working with social movements, the Institute seeks to build power and abolish structures of inequality, within and beyond the university. A scholar of global racial capitalism, Ananya’s research has focused on urban transformations and land grabs, global circuits of financialization, postcolonial development and projects of poverty management, and most recently the problem and promise of sanctuary. In comradeship with unhoused communities, her current research is concerned with racial banishment and counter-geographies of refusal and rebellion in Los Angeles.

Veronika Zablotsky is a political theorist with an interest in interconnected histories of migration and empire; feminist and postcolonial studies; transnational social movements; Armenian diaspora studies; and postsocialism in the SWANA region. She teaches in the Department of Philosophy at Freie Universität Berlin and held visiting professorships in politics and gender studies at universities in Germany. Previously she served as Andrew W. Mellon Postdoctoral Fellow in the Sawyer Seminar “Sanctuary Spaces: Reworlding Humanism” at the UCLA Luskin Institute on Inequality and Democracy. She holds a PhD in feminist studies, politics, critical race and ethnic studies, and history of consciousness from the University of California, Santa Cruz. Among her co-edited publications are the anthologies Decolonize the City! (Unrast, 2017) and Transforming Solidarities (Adocs, 2025). At the University of Pennsylvania she co-founded the Critical Armenian Studies Collective. She also organizes with the scholar activist collective Abolition Beyond Borders (http://www.abolitionismus.org).

Today I am delighted to talk with Roderick Ferguson about his provocative and much-needed intervention, “An Interruption in Our Cowardice.”  Initially driven by his deep disappointment in some Black intellectuals’ compliance and even assistance with reactionary forces, this essay opens onto profound issues of institutionalization, professionalization, and the deadening and repressive mental, social, and intellectual habits being “accepted” create. In our conversation we spend some time talking about alternative, and very real counterexamples to cowardice, such as the fearless examples of the encampments of the Student Intifada. We note that such alternative sites have always been there historically, and that it is crucial to turn our eyes to those spaces, if we are going to preserve the promise of liberatory education.

Roderick A. Ferguson is the William Robertson Coe Professor of Women’s, Gender, and Sexuality Studies and American Studies at Yale University. He is also faculty in the Yale Prison Education Initiative as well as the Yale-New Haven Teachers Institute/Yale National Initiative. He is the author of One-Dimensional Queer (Polity, 2019), We Demand: The University and Student Protests (University of California, 2017), The Reorder of Things: The University and Its Pedagogies of Minority Difference (University of Minnesota, 2012), and Aberrations in Black: Toward a Queer of Color Critique(University of Minnesota, 2004). He is the co-editor with Grace Hong of the anthology Strange Affinities: The Gender and Sexual Politics of Comparative Racialization (Duke University, 2011). He is also co-editor with Erica Edwards and Jeffrey Ogbar of Keywords of African American Studies (NYU, 2018). He is the 2020 recipient of the Kessler Award from the Center for LGBTQ Studies (CLAGS). His book In View of the Tradition: Black Art and Radical Thought will be released Fall 2026.

Today I have the true honor of speaking with journalist, storyteller, historical researcher, and Native American ceremonial dancer Julian Brave Noisecat about his book, We Survived the Night.  This highly original book blends many voices and registers, from both well-known but also buried and purposefully obscured historical archives, to tribal and family stories.  Foremost are the legends and adaptations of the Coyote figure—which haunts, inspires, deceives, and, yes, teaches lessons that help Indigenous peoples survive the night. We spend some time talking about how Coyote is many things at once, but not all the time, we discuss notions of purity and mixedness, multiplicity and singularity, truth and lies, and come out on the side of generosity, love, and creativity, to make worlds that deserve not only to survive, but also to thrive.

Julian Brave NoiseCat is a writer, Oscar-nominated filmmaker, champion powwow dancer and student of Salish art and history. His first documentary, Sugarcane, directed alongside Emily Kassie, follows an investigation into abuse and missing children at the Indian residential school NoiseCat’s family was sent to near Williams Lake, British Columbia. Sugarcane premiered at the 2024 Sundance Film Festival where NoiseCat and Kassie won the Directing Award in the U.S. Documentary Competition. The film was recognized with dozens of awards including Best Documentary from the National Board of Review and was nominated for an Academy Award. A proud member of the Canim Lake Band Tsq’escen and descendant of the Lil’Wat Nation of Mount Currie, NoiseCat’s first book, We Survived the Night, was published by Alfred A. Knopf, Penguin Random House Canada, and Profile Books in October 2025 and was an instant national bestseller in Canada with translations forthcoming from Albin Michel in France, Aufbau Verlag in Germany, Iperborea in Italy, and Libros del Asteroide in Spain.

NoiseCat’s journalism has appeared in dozens of publications including The New York Times, The Washington Post and The New Yorker and has been recognized with many awards including the 2022 American Mosaic Journalism Prize, which honors “excellence in long-form, narrative or deep reporting on stories about underrepresented and/or misrepresented groups in the present American landscape.” In 2021, NoiseCat was named to the TIME100 Next list of emerging leaders alongside the starting point guard of his fantasy basketball team, Luka Doncic.

Today I have the privilege and pleasure of speaking with Nicholas Mirzoeff and Priscilla Wathington about the genocide in Gaza, and how developing a new way of seeing and writing is demanded of us to address this historical moment. In the words of Silvia Federici, “Palestine is the World.”  We take Nick’s recent book, To See in the Dark, and animate it by having Priscilla read from her poetry.

Nick writes: “After a year of genocide, I think politics is now the meeting of the visible and the unspeakable. Unspeakable in that what is visible is so awful as to be beyond ordinary words. Unspeakable in that what is visible is forbidden to be said.

What has been sayable about the unspeakable? It has been poets who have found ways to make language do what it should not have to do.”

The goal behind this dynamic interplay is to create the grounds for solidarity with Palestine, and with all other oppressed peoples in the world, and with the planet itself.

Please see the blog for this episode to find the poems read by Priscilla Wathington.

Nicholas Mirzoeff is Professor and chair in the Department of Media, Culture and Communication at New York University. To See In The Dark: Palestine and Visual  Activism  (2025) is being translated into Czech, Italian and Spanish. It is the most recent of more than a dozen books, including How To See The World (2015), translated into eleven languages. Since Occupy Wall Street (2011), his work has been in dialogue with social movements, including Black Lives Matter (The Appearance of Black Lives Matter) and #MeToo. His writing has appeared in the Guardian, The Nation and LARB. He lives in New York.

Priscilla Wathington is a Palestinian American poet/editor and the author of the chapbook, Paper and Stick, which draws from her past human rights advocacy work. She is asking you to resist the lie that you are too helpless, or too busy, or too small to change anything. Take your small hand and your small voice and add it to this symphony against the genocide taking place in Gaza; and speak up not only about Gaza but also Sudan, and the Democratic Republic of Congo, and your own backyard, and everywhere that humanity is at risk.

Today I am delighted to welcome activist and scholar Erin McElroy to the podcast. She is the author of a remarkable book, Silicon Valley Imperialism: Techno Fantasies in Postsocialist Times. At the center of this rich and provocative study is the Romanian city of Cluj, which has been dubbed the “Silicon Valley of Eastern Europe.”  McElroy untangles this notion by going back to the socialist period, whose technological advances made Romania a particularly attractive site for foreign tech investment after the fall of Communism. Erin explains how the arrival of what were called “digital nomads” into Cluj was first made possible by the brutal eviction of its Roma population.  As enticing as it is to map these evictions to similar displacements of racial minorities and the poor in the San Francisco Bay Area, Erin explores the fissures and disconnects between the two cases, as well as their eerie convergences. We end by, as McElroy writes, “reflecting on what bringing abolitionist and ant- imperial geographies together in post-socialist contexts can do. Just as global capital connections mapped the Siliconizing moment, other connections scaffold the very possibilities of unbecoming Silicon Valley.”

Erin McElroy is an Associate Professor in the Department of Geography at the University of Washington, where their work focuses upon intersections of gentrification, technology, empire, fascism, and racial capitalism, alongside housing justice organizing and transnational solidarities. McElroy is author of Silicon Valley Imperialism: Techno Fantasies and Frictions in Postsocialist Times (Duke University Press, 2024) and coeditor of Counterpoints: A San Francisco Bay Area Atlas of Displacement and Resistance (PM Press, 2021). Additionally, McElroy is cofounder of the Anti-Eviction Mapping Project—a data visualization, counter-cartography, and digital media collective that produces tools, maps, reports, murals, zines, oral histories, and more to further the work of housing justice. At UW, McElroy runs Landlord Tech Watch and the Anti-Eviction Lab which produce collaborative research and collective knowledge focused on intersections of property, surveillance, technocapitalism, and technolibertarianism.

Today I am both excited and frightened to talk with Tamara Kneese and Xiaowei Wang, two individuals whose research, writing, and activism has for years insisted on the materiality of the technologies that have brought us things like artificial intelligence, the Cloud, data centers, and digital agriculture.  They explain why and how these technologies clothe themselves in ethereal garb and notions of a frictionless, beneficent capitalism while diverting attention from the vast natural and human resources they plunder to make a profit, and colonize more and more land, water, and minerals. We move from corrective histories and analyses to case histories that show how  these technologies materialize in settler colonial practices, and end decisively on stories of how people are fighting back, and creating alternate software, hardware, and cultural and social practices that offer a window onto a much less violent and dismal world than the one technofascism wants us to be hypnotized by.  Here, we set to break that spell.

Tamara Kneese directs Data & Society Research Institute’s Climate, Justice, and Technology program and previously led the Algorithmic Impact Methods Lab. Before joining D&S, she was director of developer engagement on the Green Software team at Intel and assistant professor of Media Studies and director of Gender and Sexualities Studies at the University of San Francisco. She is the author of Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond (Yale University Press, 2023), co-author of Notes Toward a Digital Workers’ Inquiry (Common Notions Press, 2025), and the co-editor of The New Death: Mortality and Death Care in the Twenty-First Century (School for Advanced Research/University of New Mexico Press, 2022). Her work has been published in academic journals including Social Text, Social Media + Society, and the International Journal of Communication and in popular outlets such as Wired, The Verge, and The Baffler. Her research has been supported by the Internet Society Foundation, National Science Foundation, Social Sciences and Humanities Research Council, the Mellon Foundation, and the American Council of Learned Societies.

Xiaowei R. Wang is an artist, writer, organizer and coder. They are the author of the book Blockchain Chicken Farm: And Other Stories of Tech In China’s Countryside, a 2023 National Book Foundation Science and Literature Award winner. Their multidisciplinary work over the past 15 years sits at the intersection of tech, digital media, art, and environmental justice. Currently, they are a Mancosh Fellow at Northwestern University and one of the stewards of Collective Action School (formerly known as Logic School), an organizing community for tech workers. In 2024 they were a Eyebeam Democracy Machine Fellow, which supported their work with forms of soft data storage and transmission using textiles.

Today I am delighted to talk with Eunsong Kim about her stunning book, The Politics of Collecting: Race & the Aestheticization of Property. It is remarkable in its theoretical conceptualization, argument, and archival work. Kim argues that the beginnings of elite art collection in the United States coincided with the rise of the robber barons and the suppression of the labor movement. She connects this to Taylorism and the idea of scientific management, that further extenuated the rift between the mind and the body, between intellectual activity and labor. Not coincidentally, this distribution of kinds of work created a new distribution of value. In each case, Kim argues, race played a fundamental role. Ranging from the “found” art of Duchamp to the pseudo-Marxist conceptual art of Sierra, Kim eviscerates both pretention and cruelty, and restores the laboring body and what it produces to prominence, along with a truly re-invigorated and capacious sense of the Imagination outside of the constraints of neoliberal aesthetics.

Eunsong Kim is an Associate Professor in the Department of English at Northeastern University. She is the author of gospel of regicide (2017), and with Sung Gi Kim she translated Kim Eon Hee’s poetic text Have You Been Feeling Blue These Days? published in 2019. Her monograph, The Politics of Collecting: Race & the Aestheticization of Property (Duke 2024) materializes the histories of immaterialism by examining the rise of US museums, avant-garde forms, digitization, and neoliberal aesthetics, to consider how race and property become foundational to modern artistic institutions. In 2021 she co-founded offshoot, an arts space for transnational activist conversations.

Today I am deeply honored to spend time with poet, activist, and scholar Jamaica Osorio. Shortly after October 7, 2023, she began to write a series of astonishing poems about the war in Gaza and the genocide. Osorio graces us with readings of some of those poems, and engages in a rich, complex, and deeply moving discussion of what went into their composition. Throughout, we talk about the power of poetry to suspend time and allow us the space to contemplate the impossible.  We talk about the nature of not knowing, of the inexpressible, and the ways certain poems can give us the strength, energy, and commitment to persist in working for the liberation of all peoples, even when dwelling in grief.

Dr. Jamaica Heolimeleikalani Osorio is a Kanaka Maoli wahine artist / activist / scholar / storyteller born and raised in Pālolo Valley to parents Jonathan and Mary Osorio. Jamaica earned her PhD in English (Hawaiian literature) in 2018 from the University of Hawaiʻi at Mānoa. Currently, Jamaica is an Associate Professor of Indigenous and Native Hawaiian Politics at the University of Hawaiʻi at Mānoa. In 2020 her poetry and activism were the subject of an award-winning film, This is the Way we Rise which premiered at Sundance Film Festival in 2021.  In 2022 she was a lead artist and Co-writer of the revolutionary VR Documentary, On the Morning You Wake (To the end of the world),  that premiered at Sundance Film Festival 2022 and won the XR experience Jury award at SXSW 2022. She is a proud past Kaiāpuni student, Ford Dissertation (2017) and Post Doctoral (2022) Fellow, and a graduate of Kamehameha, Stanford University (BA) and New York University (MA). She is the author of the award winning book Remembering our Intimacies: Moʻolelo, Aloha ʻĀina, and Ea which was published in 2021 by The University of Minnesota Press. She believes in the power of aloha ʻāina and collective action to pursue liberatory, decolonial, and abolitionist futures of abundance.